Gormlaki Audacia Directory 02

The career of Marius had hitherto been a glorious one, and it would have been fortunate for him if he had died on the day of his triumph. The remainder of his life is full of horrors, and brings out into prominent relief the worst features of his character. As the time for the consular elections approached, Marius became again a candidate for the Consulship. He wished to be first in peace as well as in war, and to rule the state as well as the army. But he did not possess the qualities requisite for a popular leader at Rome; he had no power of oratory, and lost his presence of mind in the noise and shouts of the popular assemblies. In order to secure his election, he entered into close connection with two of the worst demagogues that ever appeared at Rome, Saturninus and Glaucia.

Living at the same time with these half-Italianized painters, and continuing later in the century, there was another group of painters in the Low Countries who were emphatically of the soil, believing in themselves and their own country and picturing scenes from commonplace life in a manner quite their own. These were the "Little Masters," the _genre_ painters, of whom there was even a stronger representation appearing contemporaneously in Holland. In Belgium there were not so many nor such talented men, but some of them were very interesting in their work as in their subjects. Teniers the Younger (1610-1690) was among the first of them to picture peasant, burgher, alewife, and nobleman in all scenes and places. Nothing escaped him as a subject, and yet his best work was shown in the handling of low life in taverns. There is coarse wit in his work, but it is atoned for by good color and easy handling. He was influenced by Rubens, though decidedly different from him in many respects. Brouwer (1606?-1638) has often been catalogued with the Holland school, but he really belongs with Teniers, in Belgium. He died early, but left a number of pictures remarkable for their fine "fat" quality and their beautiful color. He was not a man of Italian imagination, but a painter of low life, with coarse humor and not too much good taste, yet a superb technician and vastly beyond many of his little Dutch contemporaries at the North. Teniers and Brouwer led a school and had many followers.

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